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CREATIVITY OF 
POVILAUSKAITE.

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EVA & AI

There’s been a lot of talk about AI - the good and the bad. I’ve heard it all. So, instead of jumping in head first and getting lost - I waited. I wanted all the hype to settle in order to be able to rationally see how it could fit into a professional workflow - not as a trend, but as a tool that adds real value.

And then I tested it all. I spent days and weeks (and big bills) trying every tool in the market. Many felt amateur, some were extraordinarily beautiful but way more suited for art and cinema. Eventually, I scouted a mix of tools and workflows that actually work for me - and for professional advertising.

I don’t see AI replacing creatives. I see it as a tool that helps concepting, content, shoots, edits to be faster and more cost efficient. 

Yes, AI still needs a human creative. My art direction background taught me how to think in lenses, light, storytelling and I see that that’s what turns random AI outputs into consistent and professional work. That is what can represent my unique vision and ideas.

I built these workflows so I can offer them with confidence, finding ways to have 100% accurate product representation, consistant on brand campaign looks, legally licensed faces behind the AI lens and so much more.

The technology is evolving fast and I’ll keep evolving with it. All I can say - you should not be scared of AI taking your job. But you should be cautious that creatives who know how to use this tool might…

Disclaimer:

This portfolio consists only of spec work created to showcase AI possibilities. All brands and faces shown are fictional examples. None are real, commercial or part of published work.
Music: Black V Neck, JKATZ - Low (Original Mix) [Retail Records]

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